PRESS
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The duo Flannan Obé - Laurent Deleuil (Gardefeu - Bobinet) is hilarious, so much that it's almost surprising to hear real opera voices, powerful, on tune and expressive.
- Francine Charles, Magazine Culturius, la Vie Parisienne (2022)
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photo: Jonathan Berger
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This album, highlighting a rare chemistry between voice and piano, is the very promising first collaboration of the two musicians [Laurent Deleuil et pianist Nicolas Royez].
- Jean Lukas, Journal la Terrasse, on the album le Travail du Peintre (2020)
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photo: Anne Bied / graphic design: Valentine Franssen
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Finally, Laurent Deleuil, in the role of the Podestat, displays a very beautiful voice, meticulous phrasing and, there again, a perfectly clear pronunciation. The prosopoppoeia in which he gives speech to his ommelet on a heroico-comical tone ("Je suis ton déjeuner fidèle, viens, je t’attends, viens je t’appelle !" – Gluck’s Orphée aux Enfers is not far : "C’est ton époux fidèle, / Entends ma voix qui t’appelle !") is a model of humorous musical interpretation.
- Stéphane Lelièvre, Premiere-loge.com on Palazetto Bru Zane's production of le Docteur Miracle (2019)
photo: Michel Slomka
Baritone Laurent Deleuil […] affirms a strong presence, a sophisticated sense of phrasing and a vocality enjoyable at every minute: his complex aria is completely mastered.
- José Pons, Olyrix.com on the Athénée Louis Jouvet theater's production of Trouble in Tahiti (2018)
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photo: Jean-François Tourniquet
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His brilliant voice allows varied and subtle nuances, a real depth serving the character, with the demands (intonation and placement especially) essential [for the role of Hamlet].”
- Violette Renié, Olyrix.com on Musica Nigella Festival's production of Hamlet (2019)
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photo: Élisabeth de Sauverzac
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Laurent Deleuil’s Pelléas is simply exceptional: the baryton martin color of his voice, ideal for the role, is allied to elegant phrasing and intelligence of the text, essential in this repertoire
- Louis Bilodeau, l'Opéra, revue québécoise d'art lyrique, on 1 Opéra 1 Heure's Projet Pelléas (2015)
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photo: Maxime Boisvert
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Laurent Deleuil’s subtle Owen [Wingrave], vocally imperial, is surpri-sing by his natural authority, confident and serene facing adversity
- Florent Coudeyrat, les Trois Coups.com on the Opéra National du Rhin's production of Owen Wingrave (2013)
photo: Alain Kaiser